Traditional Works

Tradition: A Shifting Paradigm in Pottery Production

In the rich tapestry of Japanese aesthetic sensibilities, tradition has long served as a spiritual and normative compass, guiding artistic expression. Yet, tradition is not a static entity; it evolves with interpretations of its foundational customs, demonstrating its adaptability and dynamic nature.
 
My artwork, a manifestation of my unique creative practice, contemplates the concept of tradition in Japan. At its core lies a profound appreciation for aesthetics deeply rooted in tradition, as well as a quest for the coexistence of aesthetic and ethical values, as seen in traditional Japanese art and craft. My creative principle deliberately steers clear of any political entanglements associated with tradition.
 
My work transcends the traditional-versus-contemporary divide, existing in a realm where both coexist harmoniously. I seek to build a rich realm of artistic expression where tradition and the contemporary complement one another, forging a distinctive artistic style uniquely my own. While preserving traditional forms, my work is imbued with a modern perspective and sensibility. Through my art, I explore the limitless possibilities of merging tradition with the contemporary, nurturing the coexistence of aesthetic consciousness and ethics. In this way, I strive to create an unbroken stream of artistic expression that reveres tradition while embracing the ever-evolving spirit of our present era.
 
I believe that my work would be a valuable addition to any exhibition that explores tradition in Japan, or that seeks to showcase contemporary Japanese art that is both rooted in tradition and forward-thinking. I am confident that my work would resonate with viewers and spark meaningful conversations about the role of tradition in our world today.

Right: "Bowls in Sets of Five ("Ireko")," smallest (w)17.7 -(d)17.7 -(h)5.5 cm, largest (w)31.3-(d)31.3 -(h)8.5 cm, wheel-thrown and stoneware, salt-water sprayed interior, black slip exterior, bottom upward when stacking kiln, traditional way fired to 1250 degrees C. oxidation, eight-day firing. Published in 500 Bowls: Contemporary Explorations of a Timeless Design, Lark Books, A Division of Sterling Publishing Co., Inc.,New York, U.S.A., 2003.

Right: "Side-fired Vase with Lugs," (w)14.0 -(d)10.5 -(h)20.0 cm, wheel-thrown and altered stoneware, with natural wood ash runs, traditional way fired to 1300 degrees C. reduction, eight-day firing. Exhibited at "The First 40 Years" an Exhibition Celebrating the History of the International Ceramics Studio through its Collection of Contemporary Ceramics. The Pesti Vigadó is the seat of the Hungarian Academy of Arts, August 17 -October 8, 2017.